Stephen King

This is the way the world ends: with a nanosecond of computer error in a Defense Department laboratory and a million casual contacts that form the links in a chain letter of death. And here is the bleak new world of the day after: a world stripped of its institutions and emptied of 99 percent of its people. A world in which a handful of panicky survivors choose sides - or are chosen. A world in which good rides on the frail shoulders of the 108-year-old...

In The Gunslinger, King introduces Roland Deschain of Gilead, the Last Gunslinger. He is a haunting, solitary figure at first, on a mysterious quest through a desolate world that eerily mirrors our own. Pursuing the man in black, an evil being who can bring the dead back to life, Roland is a good man who seems to leave nothing but death in his wake.

Jamie Conklin, a boy born with an unnatural ability to see and learn things no one else can, is enlisted to help an NYPD detective pursue a killer who has threatened to strike from beyond the grave.

Roland is drawn through a gateway of time and space into the drug-and-crime-ridden world of the twentieth-century to battle a dark power determined to prevent his search for the Dark Tower.

Roland and his band have narrowly escaped the city of Lud and boarded Blaine, a train that will take them to, of all places, Kansas, where the ghost city of Topeka has been depopulated by a superflu and where, alongside Interstate 70, an emerald palace rises enchantingly. Before Roland and the companions of his ka-tet continue along the Path of the Bean, Roland must tell his companions the tale that defines him both as a man and hero, a long-ago romance...

Roland, the Last Gunslinger, and his companions--Eddie Dean and Susannah--cross the desert of damnation, drawing ever closer to the Dark Tower, a legion of fiendish foes, and revelations that could alter the world.

Chances are, if you’re a target of Billy Summers, two immutable truths apply: You’ll never even know what hit you, and you’re really getting what you deserve. He’s a killer for hire and the best in the business—but he’ll do the job only if the assignment is a truly bad person. But now, time is catching up with him, and Billy wants out. Before he can do that though, there’s one last hit, which promises...

"The spectacular finale to the New York Times bestselling trilogy that began with Mr. Mercedes (winner of the Edgar Award) and Finders Keepers--In End of Watch, the diabolical "Mercedes Killer" drives his enemies to suicide, and if Bill Hodges and Holly Gibney don't figure out a way to stop him, they'll be victims themselves. In Room 217 of the Lakes Region Traumatic Brain Injury Clinic, something has awakened. Something evil. Brady Hartsfield, perpetrator...

To the children, the town was their whole world. To the adults, knowing better, Derry, Maine, was just their hometown: familiar, well-ordered, a good place to live. It was the children who saw--and felt--what made Derry so horribly different. In the storm drains, in the sewers, It lurked, taking on the shape of every nightmare, each person's deepest dread. Sometimes It reached up, seizing, tearing, killing ... The adults, knowing better, knew nothing....

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis' parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there's no window. And outside his door are other doors, behind which are other kids with special talents -- telekinesis and telepathy -- who got to this place the same...