The Art of Champa
(eBook)

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Published
Parkstone International, 2012.
Format
eBook
Language
English
ISBN
9781780429649

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Citations

APA Citation, 7th Edition (style guide)

Jean-François Hubert., & Jean-François Hubert|AUTHOR. (2012). The Art of Champa . Parkstone International.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Jean-François Hubert and Jean-François Hubert|AUTHOR. 2012. The Art of Champa. Parkstone International.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Jean-François Hubert and Jean-François Hubert|AUTHOR. The Art of Champa Parkstone International, 2012.

MLA Citation, 9th Edition (style guide)

Jean-François Hubert, and Jean-François Hubert|AUTHOR. The Art of Champa Parkstone International, 2012.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID19034bbe-50a3-af60-47e7-75d8c6e310a8-eng
Full titleart of champa
Authorhubert jean françois
Grouping Categorybook
Last Update2024-02-29 18:01:46PM
Last Indexed2024-04-17 02:23:52AM

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Image Sourcehoopla
First LoadedJun 6, 2023
Last UsedSep 18, 2023

Hoopla Extract Information

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    [synopsis] => From 12 October 2005 to 9 January 2006, the Musee Guimet in Paris will play host to an exceptional exhibition: 'Treasures of Vietnamese Art... Champa Sculpture'. This show will bring together for the first time, outstanding pieces from the Musée Guimet, the National Museums of France and the national Vietnamese museums of Da Nang and Ho Chi Minh (formerly Saigon). The discretion of private collectors has meant that, until now, much of the wealth of this great Asian art form has remained relatively unknown but this show also includes several truly exceptional pieces from private collections, hitherto inaccessible to both the public and most curators. Jean-Francois Hubert, an international expert on Vietnamese art, has succeeding in creating a unique artistic opportunity. In the 5th century, the Champa kingdom held sway over a large area of today's Vietnam. Several magnificent structures still testify to their former presence in the Nha Trang region. Cham Sculpture was worked in a variety of materials, principally sandstone, but also gold, silver and bronze, and primarily illustrated themes from Indian mythology. The kingdom was gradually eroded during the 15th century by the irresistible descent of the people towards the south ('Nam Tiên') from their original base in the Red River region. The author explores, describes and comments on the various styles of Cham sculpture, drawing on a rich and, as yet largely unpublished, iconographic vein.
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