Italian Ecocinema Beyond the Human
(eBook)

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Published
Indiana University Press, 2019.
Format
eBook
Language
English
ISBN
9780253039514

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Citations

APA Citation, 7th Edition (style guide)

Elena Past., & Elena Past|AUTHOR. (2019). Italian Ecocinema Beyond the Human . Indiana University Press.

Chicago / Turabian - Author Date Citation, 17th Edition (style guide)

Elena Past and Elena Past|AUTHOR. 2019. Italian Ecocinema Beyond the Human. Indiana University Press.

Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)

Elena Past and Elena Past|AUTHOR. Italian Ecocinema Beyond the Human Indiana University Press, 2019.

MLA Citation, 9th Edition (style guide)

Elena Past, and Elena Past|AUTHOR. Italian Ecocinema Beyond the Human Indiana University Press, 2019.

Note! Citations contain only title, author, edition, publisher, and year published. Citations should be used as a guideline and should be double checked for accuracy. Citation formats are based on standards as of August 2021.

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Grouped Work ID0552876d-5dfa-05af-f7e8-4da4115a8f75-eng
Full titleitalian ecocinema beyond the human
Authorpast elena
Grouping Categorybook
Last Update2024-01-04 18:03:54PM
Last Indexed2024-04-17 02:05:54AM

Book Cover Information

Image Sourcehoopla
First LoadedOct 11, 2022
Last UsedMar 14, 2023

Hoopla Extract Information

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    [synopsis] => Entangled in the hybrid fields of ecomedia studies and material ecocriticism, Elena Past examines five Italian films shot on location and ponders the complex relationships that the production crews developed with the filming locations and the nonhuman cast members. She uses these films―Red Desert (1964), The Winds Blows Round (2005), Gomorrah (2008), Le quattro volte (2010), and Return to the Aeolian Islands (2010)―as case studies to explore pressing environmental questions such as cinema's dependence on hydrocarbons, the toxic waste crisis in the region of Campania, and our reliance on the nonhuman world. Dynamic and unexpected actors emerge as the subjects of each chapter: playful goats, erupting volcanoes, airborne dust particles, fluid petroleum, and even the sound of silence. Based on interviews with crew members and close readings of the films themselves, Italian Ecocinema Beyond the Human theorizes how filmmaking practice―from sound recording to location scouting to managing a production―helps uncover cinema's ecological footprint and its potential to open new perspectives on the nonhuman world.
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