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1) The prince
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With a mix of both respectable and immoral advice, The Prince is a frank analysis on political power. Separated into four sections, The Prince is both a guide to obtain power and an explanation on the aspects that affect it. The first section discusses the types of principalities. According to Machiavelli, there are four different types-hereditary, mixed, new and ecclesiastical. While defining each type, Machiavelli also discusses the implications...
2) Romanticism
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Introduces the artistic movement that flourished during the late 1700s and early 1800s and includes such famous artists as William Blake, Francisco de Goya, and Henry Fuseli.
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John Constable was born in 1776 to a prosperous family and was expected to enter his father's milling and grain business. During his idyllic childhood he steadily reached the conclusion that art rather than grain would govern his life. Through local friendships he was able to develop his early painting skills and was introduced to masters such as Claude Lorrain. Despite misgivings, his parents agreed he could study art with a small allowance. He set...
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El Simbolismo apareció en Francia y Europa entre la década de 1880 y el principio del siglo veinte. Los simbolistas, fascinados por la mitología de la Antigüedad, intentaban escapar del reino del pensamiento racional impuesto por la ciencia. Deseaban trascender el mundo de lo visible y lo racional para alcanzar el mundo del pensamiento puro, coqueteando constantemente con los límites del inconsciente.
Los franceses Gustave Moreau, Odilon Redon,...
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La peinture académique désigne la peinture créée sous l'influence de l'Académie royale de peinture et de sculpture inaugurée en 1648. Philippe de Champaigne, peintre académique majeur du XVIIe siècle français, a dispensé plusieurs conférences à ce sujet. Elles sont illustrées par de nombreuses peintures, du XVIIe siècle à la fin du XIXe siècle. Ces discours ont permis de fixer les canons de l'Académie, dont les caractéristiques sont...
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Ferdinand Victor Eugène Delacroix (Saint-Maurice, 1798 – Paris, 1863). Delacroix fut l'un des plus grands coloristes du XIXe siècle. La couleur était pour lui un moyen d'expression déterminant, qui avait la préséance sur la forme et les détails. Il parlait à l'oeil, moins à la raison. Il se nourrissait des oeuvres des coloristes du Louvre, en particulier de Rubens. Spirituellement, Delacroix s'inscrivait au coeur du mouvement romantique...
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Goya is perhaps the most approachable of painters. His art, like his life, is an open book. He concealed nothing from his contemporaries, and offered his art to them with the same frankness. The entrance to his world is not barricaded with technical difficulties. He proved that if a man has the capacity to live and multiply his experiences, to fight and work, he can produce great art without classical decorum and traditional respectability. He was...
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Francisco de Goya y Lucientes (Fuentetodos, 1746 – Bordeaux, 1828) Goya est peut-être le peintre le plus accessible entre tous. Son art, comme sa vie, est un livre ouvert. Il ne cachait rien de ses contemporains, et leur offrait son art avec la même franchise. L'entrée dans son monde n'est pas barricadée de difficultés techniques. Il prouva que si un homme a la capacité de vivre et de multiplier ses expériences, de se battre et de travailler,...
10) Francisco Goya
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Goya es tal vez el pintor más accesible. Su arte, al igual que su vida, es un libro abierto. Nada ocultó a sus contemporáneos y les ofreció su obra con la misma franqueza. La puerta a su mundo no está oculta detrás de grandes dificultades técnicas. Fue la prueba de que si un hombre tiene la capacidad de vivir y multiplicar sus experiencias, de luchar y trabajar, puede producir grandes obras de arte sin el decoro clásico y la respetabilidad...
11) William Blake
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Poet, draughtsman, engraver and painter, William Blake's work is made up of several elements – Gothic art, Germanic reverie, the Bible, Milton and Shakespeare – to which were added Dante and a certain taste for linear designs, resembling geometric diagrams, and relates him to the great classical movement inspired by Winckelmann and propagated by David. This is the sole point of contact discernible between the classicism of David and English art,...
12) William Blake
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Figure majeure du mouvement romantique, le britannique William Blake (1757-1827) fut à la fois peintre, dessinateur, graveur et poète. L'artiste s'attachant à illustrer lui-même son Œuvre littéraire, les textes de Blake se développent suivant les lignes de ses gravures et dessins hallucinés, et deviennent, dès lors, de véritables enluminures. Inspiré des thèmes bibliques et prophétiques (Proverbes de l'Enfer, L'Évangile éternel, Les...
13) Delacroix
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Eugène Delacroix was highly influential in the 19th-century Romanticism art movement and is considered by many art historians to be the most important of the Romantic painters. Delacroix is often attributed with refining Romanticism, not only aesthetically but philosophically, as his work influenced not only art, but also literature. One of Delacroix's best-known paintings, completed in 1830 and on the cover of this book, is Liberty Leading the People,...
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Dans la salle Mollien du Louvre, les naufragés du radeau de la Méduse de Géricault s'enfoncent dans la nuit africaine. A l'arrière du radeau, le cadavre d'Hector de David, les ctes saillantes et la barbe naissante, a la tête renversée. Allongé en travers, l'Endymion de Girodet a troqué ses sandales à lanières pour des chaussettes tombantes et son père qui passe un bras autour de son corps a l'air résigné du Marcus Sextus de Guérin.
Comme...
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Founder of the Pre-Raphaelite Brotherhood, the English painter Sir John Everett Millais was a principal figure of nineteenth century British art. Along with Rossetti and Holman Hunt, he confronted the art establishment with a daring challenge to ignore 500 years of history and the corrupting influence of Raphael. A remarkable range of paintings sought a bold return to the abundant detail, intense colours and complex compositions of the early Renaissance....
16) Poussin
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Nicolas Poussin (1594-1665) était un peintre du classicisme français qui prônait clarté et logique dans ses tableaux. Il peignait souvent de larges scènes mythologiques ou bibliques, mais il était également au premier rang de la peinture de paysage. Il fut premier peintre du roi Louis XIII, mais passa la majeure partie de sa vie à Rome. Sa manière devint le style officiel enseigné à l'Académie durant le reste du XVIIe siècle. Par la suite,...
17) Turner
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Joseph Mallord William Turner (Londres, 1775 – 1851)
A 15 ans, Turner exposait déjà une Vue de Lambeth. Il acquit très tôt la réputation d'un aquarelliste extrêmement habile. Disciple de Girtin et de Cozens, il montra par son choix et la façon de présenter ses thèmes une imagination pittoresque qui semblait le destiner à une brillante carrière d'illustrateur. Il voyagea, d'abord dans son pays natal et puis, à plusieurs occasions, en...
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"From the best-selling author of The Invention of Nature comes an exhilarating story about a remarkable group of young rebels-poets, novelists, philosophers-who, through their epic quarrels, passionate love stories, heartbreaking grief, and radical ideas launched Romanticism onto the world stage, inspiring some of the greatest thinkers of the time. When did we begin to be as self-centered as we are today? At what point did we expect to have the right...
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Gobeklitepe, the oldest temple in the world, awakened from its 12,000 years of sleep to tell hacker Kamil a secret. A secret, locked behind the sealed tongue of its guardian, that can only be, heard by to the wise and capable...
Kamil is, forced to unravel Gobeklitepe's mysteries, when a stranger from the southeastern Turkish town of Urfa arrives on his doorstep, asking to buy his house. Kamil, the only Jew left in ancient Carian city of Milas, just...
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Visual indictment of war's horrors, modeled after Spanish insurrection (1808), the resultant Peninsular War and following famine. Miseries of war graphically demonstrated in 83 prints; includes veiled attacks on various people, the Church and the State. Captions reprinted with English translations.
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