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Author
Description
The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, revealing stories that exploit the social ideologies of economic neoliberalism and political democratization. At the level of policy, neither ideology was...
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This antique text contains a fascinating and detailed treatise on the production a of play, written by Joseph Capek and originally published in 1928. A comprehensive exposition of Capek's ideas on the subject, this text will be of great value to anyone with an interest in theatre production and constitutes a great addition to collections of theatrical literature.
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This collection of 11 plays, from North America, the U.K., and South Africa-many published here for the first time-delves into the vibrant, cosmopolitan theatre of the South Asian diaspora. These original and provocative works explore the experience of diaspora by drawing on cultural references as diverse as classical Indian texts, adaptations of Shakespeare and Homer, current events, and world music, film, and dance. Neilesh Bose provides historical...
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Torero
Antonio quiere llegar a ser un torero reconocido, como lo fue su abuelo. Su papá es un carnicero que no tiene nada que ver con ese "toreo sin sentido". Quiere que su hijo Antonio trabaje junto a él en la carnicería. Algún día el abuelo de Antonio se sentirá orgulloso de él. Y su abuela también aunque ella ya no esté. Antonio cree que ella puede verlo desde el cielo. Antonio está enamorado de María. María le dice: "enséñame que...
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Trickster Theatre traces the changing social significance of national theatre in Ghana from its rise as an idealistic state project from the time of independence to its reinvention in recent electronic, market-oriented genres. Jesse Weaver Shipley presents portraits of many key figures in Ghanaian theatre and examines how Akan trickster tales were adapted as the basis of a modern national theatre. This performance style tied Accra's evolving urban...
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In the 17th century, harmonious sounds were thought to represent the well-ordered body of the obedient subject, and, by extension, the well-ordered state, conversely, discordant, unpleasant music represented both those who caused disorder (murderers, drunkards, witches, traitors) and those who suffered from bodily disorders (melancholics, madmen, and madwomen). While these theoretical correspondences seem straightforward, in theatrical practice the...
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Ready? Line UP! FALL IN! And you'll fall for this timely and generous novel set on an Air Force base during the Iraq War, about an amazing teacher and the students she inspires.
No one in her sixth-grade class knows quite what to make of Ms. Loupe, with her short hair, her taped square "stage" on the floor, and the interest in improvisational theatre. After all, their school is on an Air Force base--a place that values discipline more than improv....
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Latin American Women Dramatists sheds much-needed light on the significant contributions made by these pioneering authors during the last half of the twentieth century. Contributors discuss fifteen works of Latin-American playwrights, delineate the artistic lives of women dramatists from countries as diverse as Argentina, Brazil, Chile, Mexico, Puerto Rico, and Venezuela. Looking at these writers and their work from political, historical, and feminist...
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An anthropologist recounts an Algerian theater troupe's 2016 US tour, detailing the highs and lows of the cross-cultural exchange.
Staging Cultural Encounters tells stories about performances of cultural encounter and cultural exchange during the US tour of the Algerian theater troupe Istijmam Culturelle in 2016. Jane E. Goodman follows the Algerian theater troupe as they prepare for and then tour the United States under the auspices of the Center...
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A revelatory portrait of the creative partnership that transformed musical theater and provided the soundtrack to the American Century
They stand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!, Carousel, South Pacific, The King and I, and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, Richard Rodgers and Oscar Hammerstein II...
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